Looking to avoid any antitrust violations, Universal recently sold former EMI holding, Parlophone Records. Now that there are officially only three major record companies, is it possible that a fourth will ever reemerge?
Last summer, when Universal was considering divesting itself of Virgin Records, Sir Richard Branson was said to be in negotiations, in a bid to buy back the company that he founded in 1972. When I heard the news, I remember thinking what a great idea that would be. Instead of going from four majors, Virgin could have been spun off to keep a sense of balance in the industry. Talks went on for several months until finally the deal fell through.
So what's the big deal, right? If you're an Independent or DIY label, the issue is the loss of market share in the face of the mega majors financial and promotional muscle power. However, the Indie community is looking at the sale of Parlophone to Warner as a, countervailing force against the duopoly of Universal and Sony, strengthening Warner, which had been struggling in recent years. But, that still leaves only three major record companies on the face of the planet.
The larger Indie labels have been making a splash at the Grammys in the past two years. In fact they won a total of 34 trophies this year, with notables wins from Big Machine, Concord Music Group, and Rounder Records. With growing numbers like that, I think that it's conceivable, at least in my opinion, that a fourth major could arise from their ranks.
There's so much more music out there than what's being played on terrestrial radio, that I think that a fourth major would be a perfect way to not only highlight it or showcase it, but also bring it to the eyes and ears of the public. However, being an Independent has it's strong points. One is, as an Independent artist, there's a greater chance that you get to make the music that you, the artist want to make. With that being said, there may not be an Independent that wants to risk their autonomy, in the face of Grammy acceptance, and/or wider public acceptance.
Still, a fourth major recording company would make the current music scene a much more interesting place. It could spur greater competition among labels to bring the most unique artists and bands to the forefront. Not to mention, the possibility of increasing the variety of artists, bands, and music styles currently offered on terrestrial radio and in brick & mortar stores. And, you know what they say, variety is the spice of life.
Thursday, February 14, 2013
Thursday, February 7, 2013
The Old Guard
The words "old guard," tend to refer to the established, often conservative element within a society. But, I have often heard it used in reference to those whose customs, practices, and traditions carry on beyond the times in which they were created. When it comes to music, the "old guard," can be found among those artists and bands whose music has stood the test of time. The names of which are numerous and stretch across every genre.
On Saturday, January 26th 2013, Leroy Sugarfoot Bonner, lead singer of the Ohio Players passed away. One of Funk's "old guard," is no longer with us. He was with the band in the mid 60's when they were known as The Ohio Untouchables, and became their lead singer in 1974, with the release of the album, "Skin Tight." He briefly went solo in the 80s and was touring an Ohio Players lineup right up until the time of his death.
Something that I personally wanted to see happen from the music of those Funk bands of the 70s, was not an attempt to replicate what those artist did. Because, many of them were growing and evolving the sound of Funk. In fact, the Ohio Players were continually making their music more appealing and accessible to as broad an audience as possible. And, until Disco, they were doing it with great success.
In many ways and at many times over the last several decades, it seems as if Rock, Jazz, and Funk are being replaced by Rap, Hip Hop and Dance. While this is only my opinion, elements that made the former genres so relevant and gave Pop music it's "punch," have been discarded in favor of more trendy, highly produced confections.
While Funk is not Classical music, which continues to enjoy popularity, it can still be said that there are Funk classics, and Rock and Jazz classics too. The question in my mind is whether or not someone from this or future generations will step forward and carry the torch! Be true to the Funk and remember the, "old guard."
On Saturday, January 26th 2013, Leroy Sugarfoot Bonner, lead singer of the Ohio Players passed away. One of Funk's "old guard," is no longer with us. He was with the band in the mid 60's when they were known as The Ohio Untouchables, and became their lead singer in 1974, with the release of the album, "Skin Tight." He briefly went solo in the 80s and was touring an Ohio Players lineup right up until the time of his death.
Something that I personally wanted to see happen from the music of those Funk bands of the 70s, was not an attempt to replicate what those artist did. Because, many of them were growing and evolving the sound of Funk. In fact, the Ohio Players were continually making their music more appealing and accessible to as broad an audience as possible. And, until Disco, they were doing it with great success.
In many ways and at many times over the last several decades, it seems as if Rock, Jazz, and Funk are being replaced by Rap, Hip Hop and Dance. While this is only my opinion, elements that made the former genres so relevant and gave Pop music it's "punch," have been discarded in favor of more trendy, highly produced confections.
While Funk is not Classical music, which continues to enjoy popularity, it can still be said that there are Funk classics, and Rock and Jazz classics too. The question in my mind is whether or not someone from this or future generations will step forward and carry the torch! Be true to the Funk and remember the, "old guard."
Thursday, January 31, 2013
The Final Frontier
With everything that's been going on in the world lately, news about the latest happenings with the Mars Lander, Curiosity has pretty much taken a back seat. Granted, there's been no revelation that life has been found there since it's landing on the red planet back in August of 2012, but History is still being made.
On Jan 31st scientist a JPL will test Curiosity's drill. That's right. For the first time in our history, humans will be drilling on Mars. Rover operators are being very cautious as they attempt what has never been done before. A test hole will be hammered in first, followed by use of Curiosity's percussion drill. Samples won't be examined by Curiosity's on board laboratories for several days as scientists at JPL want to take their time and analyze the results of the drilling test before proceeding.
Several days ago, Curiosity discovered veins of Gypsum. This find indicates that water once flowed freely across the surface of Mars. This is significant because where there is or once was water, there is or has been life. This might make the days ahead very promising, as comparisons between the mineral veins now seen on Mars look very similar to those found on Earth.
Even though humans won't be there in person, exploration of our solar system is proving once again that space really is the final frontier.
On Jan 31st scientist a JPL will test Curiosity's drill. That's right. For the first time in our history, humans will be drilling on Mars. Rover operators are being very cautious as they attempt what has never been done before. A test hole will be hammered in first, followed by use of Curiosity's percussion drill. Samples won't be examined by Curiosity's on board laboratories for several days as scientists at JPL want to take their time and analyze the results of the drilling test before proceeding.
Several days ago, Curiosity discovered veins of Gypsum. This find indicates that water once flowed freely across the surface of Mars. This is significant because where there is or once was water, there is or has been life. This might make the days ahead very promising, as comparisons between the mineral veins now seen on Mars look very similar to those found on Earth.
Even though humans won't be there in person, exploration of our solar system is proving once again that space really is the final frontier.
Thursday, January 24, 2013
There And Back (Part VII)
Before I go further, I think that I should back up a bit and talk about a contributor to the current state of popular music that may not have been considered, and that is the music merger. When ownership of a record company changes, so too can the names of those who run it. Also, artist rosters can often change as some companies will chose to trim them in order to make the new company more profitable. And, there may also be a change in musical direction, after acquisition.
Have you ever wondered what happened to a very popular artist or band, who seemed to disappear right after their most recent success? I'm not talking one hit wonders. I'm talking artists who had a track record. It's quite possible that a change in ownership of their recording entity may have been the culprit. Sometimes, even a proven performer may refuse to sign on with their company's new parent, and may decide to shop their music elsewhere. That is, at least if there aren't any clauses in there contract that prohibits them from recording or signing with another company for a prolonged period of time.
A string of music industry mergers form a list that is too numerous to mention. It has been my contention that certain business decisions that go back to at least the mid to late 1980s right up to the present are at play here. That possibly, the current sound of the music market place actually began with MCA's purchase of Motwon in 1988 and Sony's purchase of Columbia in 1989, and has culminated, so far with Universal's 2012 acquisition of EMI .
This is not to say that I think that these mergers or any others that took place through the 1990s on into the 21st century are inherently evil. No. The music business is a business like any other business. But, it's also a business unlike any other business. The aesthetic of artistry is always ever present. When that aesthetic is over looked in favor of "watching the bottom line," then we become in danger of losing not only a goodly part of our culture but also our heritage. Whole generations could lose sight of what real music is or how it is made, as it has continued to be replaced by an ever more disposable sound.
Fortunately, the end of the 1990s brought with it, new opportunities for recording artists of every ilk. Global access is now readily available to any songwriter or musician with a dream, some talent, and the will and desire to make something happen.
Have you ever wondered what happened to a very popular artist or band, who seemed to disappear right after their most recent success? I'm not talking one hit wonders. I'm talking artists who had a track record. It's quite possible that a change in ownership of their recording entity may have been the culprit. Sometimes, even a proven performer may refuse to sign on with their company's new parent, and may decide to shop their music elsewhere. That is, at least if there aren't any clauses in there contract that prohibits them from recording or signing with another company for a prolonged period of time.
A string of music industry mergers form a list that is too numerous to mention. It has been my contention that certain business decisions that go back to at least the mid to late 1980s right up to the present are at play here. That possibly, the current sound of the music market place actually began with MCA's purchase of Motwon in 1988 and Sony's purchase of Columbia in 1989, and has culminated, so far with Universal's 2012 acquisition of EMI .
This is not to say that I think that these mergers or any others that took place through the 1990s on into the 21st century are inherently evil. No. The music business is a business like any other business. But, it's also a business unlike any other business. The aesthetic of artistry is always ever present. When that aesthetic is over looked in favor of "watching the bottom line," then we become in danger of losing not only a goodly part of our culture but also our heritage. Whole generations could lose sight of what real music is or how it is made, as it has continued to be replaced by an ever more disposable sound.
Fortunately, the end of the 1990s brought with it, new opportunities for recording artists of every ilk. Global access is now readily available to any songwriter or musician with a dream, some talent, and the will and desire to make something happen.
Thursday, January 17, 2013
Timeless
While watching TV the other day, I heard another handful of classic songs from the 70s. I know that I've been over this many times in the past, but the fact that 70s music continues to be used heavily in Film and Television must mean something.
It's true, and I understand that every generation feels that it's music is/was the best that has been recorded. But, the music of the 70s was music made in an "inclusive," as opposed to an exclusive style or styles. What I mean by this is that artists of the seventies tried to include things into their music that went beyond genre. More attention was paid to how a song was arranged. For instance, a Rock, R&B, or Country song might have included strings, not so much that it made it less the song that it was intended to be, but added in a way that moved that song across genre lines.
Another trait of 70s music was the adherence to a song form that has become synonymous with Pop Radio, and that's the 3:30 format. The verse-chorus-verse-chorus-bridge-chorus-fade became as comfortable to listen to as your favorite old pair of jeans is to wear. While there were hits that varied that formula, the key was that none of the most memorable songs strayed very far from it. Or, actually some songs played on some other aspect of the song, so that a listener never realized that the song even held to that structure.
And of course, there were these awesome "hooks." Some were riff driven while others were a combination of bass guitar and drum, while still others were driven by some word or words or catch phrases taken from popular expressions of the time. The listener would be drawn in and held there in the song by the repetition of the hook that would repeat several times throughout the song, causing it to get stuck in one's mind.
The only thing left to say about 70s music is that it wasn't music, "for the moment." Inspired songs were cast in the best and brightest light possible and this has allowed them to remain ever present, even within today's Pop culture. In a sense, 70s music has become timeless.
It's true, and I understand that every generation feels that it's music is/was the best that has been recorded. But, the music of the 70s was music made in an "inclusive," as opposed to an exclusive style or styles. What I mean by this is that artists of the seventies tried to include things into their music that went beyond genre. More attention was paid to how a song was arranged. For instance, a Rock, R&B, or Country song might have included strings, not so much that it made it less the song that it was intended to be, but added in a way that moved that song across genre lines.
Another trait of 70s music was the adherence to a song form that has become synonymous with Pop Radio, and that's the 3:30 format. The verse-chorus-verse-chorus-bridge-chorus-fade became as comfortable to listen to as your favorite old pair of jeans is to wear. While there were hits that varied that formula, the key was that none of the most memorable songs strayed very far from it. Or, actually some songs played on some other aspect of the song, so that a listener never realized that the song even held to that structure.
And of course, there were these awesome "hooks." Some were riff driven while others were a combination of bass guitar and drum, while still others were driven by some word or words or catch phrases taken from popular expressions of the time. The listener would be drawn in and held there in the song by the repetition of the hook that would repeat several times throughout the song, causing it to get stuck in one's mind.
The only thing left to say about 70s music is that it wasn't music, "for the moment." Inspired songs were cast in the best and brightest light possible and this has allowed them to remain ever present, even within today's Pop culture. In a sense, 70s music has become timeless.
Thursday, January 10, 2013
Now We May Begin
The New Myspace is now open for business. That is, if you've gotten your invitation. It's really easy to do. Just drop by the New Myspace and type in your email address and in a short time they will send you your invitation.
The site looks great and the number of members is building. The design is unique. Once you've created the type of page you want and chosen a user name and password you can use the search function to find just about anyone whose music is on the site. Then, you can also choose to connect with other artists, friends or fans. The site utilizes large thumbnails which seems to lend it's self to the touch screen technology of most hand held devices. The news stream scrolls side ways. I think this is done to include as much of what has been posted by your connections.
The music players rises up from the bottom of the screen when you mouse over it, which in my opinion is a lot nicer than the pop up player which was sometimes hard to keep track of. And, unless you're using the radio feature, it plays only the tunes listed on an artist's profile.
The design of your profile allows you to add a photo and a cover shot that serves as a back ground for your entire page. Underneath your profile picture you can access your music, mixes, connections, photos, videos and events. Directly below that is a pencil icon. Clicking this will allow you to make a post to your stream.
On the right side of your profile you can add your bio. Below that you is a total of your those that you've connected to as well as those who have connected to you. The page also includes your location and a list of your top eight friends
To the left of you music player controls are icons for the home page, your profile, your notifications, and your messages. There may be a detail or two that I've missed, but on the whole, I think that the New Myspace does everything that it claimed it would do. Music is definitely at the forefront and it is easy to connect to what ever it is that you like. The best way to find out what the New Myspace has to offer is go there and get an invitation, so you can begin
The site looks great and the number of members is building. The design is unique. Once you've created the type of page you want and chosen a user name and password you can use the search function to find just about anyone whose music is on the site. Then, you can also choose to connect with other artists, friends or fans. The site utilizes large thumbnails which seems to lend it's self to the touch screen technology of most hand held devices. The news stream scrolls side ways. I think this is done to include as much of what has been posted by your connections.
The music players rises up from the bottom of the screen when you mouse over it, which in my opinion is a lot nicer than the pop up player which was sometimes hard to keep track of. And, unless you're using the radio feature, it plays only the tunes listed on an artist's profile.
The design of your profile allows you to add a photo and a cover shot that serves as a back ground for your entire page. Underneath your profile picture you can access your music, mixes, connections, photos, videos and events. Directly below that is a pencil icon. Clicking this will allow you to make a post to your stream.
On the right side of your profile you can add your bio. Below that you is a total of your those that you've connected to as well as those who have connected to you. The page also includes your location and a list of your top eight friends
To the left of you music player controls are icons for the home page, your profile, your notifications, and your messages. There may be a detail or two that I've missed, but on the whole, I think that the New Myspace does everything that it claimed it would do. Music is definitely at the forefront and it is easy to connect to what ever it is that you like. The best way to find out what the New Myspace has to offer is go there and get an invitation, so you can begin
Thursday, January 3, 2013
Spam On Rye
I think that I might have mentioned that I started my affiliation with Facebook several years ago after receiving an innovation to star an artist page. After several week, I tried to use certain features and kept getting a, " you must first establish a profile before accessing this feature," message. So I did. Not happy with the way the site was run at the time I decided to deactivate my account. This only lasted for a short time, as I returned to the site to find that things had improved.
About a few months or so ago, Facebook started allowing everyone in a group to notify you of their post directly into your personal email inbox. So if you're a member of a large number of groups, your inbox could become flooded with notices of members posts. I tried to turn off the notifications individually, but at first was only able to turn off all them. This meant that I couldn't receive anything from the site at all. This must have been a big problem for many other members, because not too long after that, I was able to turn off individual group notifications by clicking the notifications icon and scrolling down to find the group or notification in question an then click "turn off" from the small dialog box. This also made things a lot less messier in my personal email inbox too.
I know that all of this was done in an effort to control spam, but in a sense, Facebook had create some of the spam themselves. But wait, there's more. Just the other day, while sharing with friends and in several groups, I was summarily blocked because, "you were moving too fast." What? Apparently, if you share as many as 6 or more items in a thirty minute period, you can lose the privileged to for up to two days. This policy affects profiles and not artist, fan, or other pages. You can still post as many photos and update your status, as only those post with links to other pages or website are affected.
First, I understand that unwanted messages and posts can be a problem at just about any social site. Second, there are many security features that allow users of Facebook to add or exclude anyone that they choose from participating in any posts that they might share. They already count the number of unanswered friend requests, and if they reach a certain number, you are blocked from making them for thirty days. I understand why this is done though at times, this too can be annoying, especially if you are certain that you've been giving prospective friends ample time to reply before making another request.
With about a billion users to it's credit, it's hard to fathom, at least in my mind, how Facebook could allow so much negative communication that I know goes on, on the site, while stiffing good intentioned sharing of news and information. I just don't get it. The site's owners are billionaires. the site's users just want to share. After all, there wouldn't be a Facebook without it's members, or would there be?
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